The article introduces the concept of image ``culturization," i.e., defined as the process of altering the ``brushstroke of cultural features" that make objects perceived as belonging to a given culture while preserving their functionalities. First, we defined a pipeline for translating objects' images from a source to a target cultural domain based on state-of-the-art Generative Adversarial Networks. Then, we gathered data through an online questionnaire to test four hypotheses concerning the impact of images belonging to different cultural domains on Italian participants. As expected, results depend on individual tastes and preferences: however, they align with our conjecture that some people, during the interaction with an intelligent system, will prefer to be shown images modified to match their cultural background.

翻译：文章引入了图像“文化化”的概念,即,被定义为改变“文化特征的刷新”的过程,使文物在保存功能的同时被视为属于特定文化。首先,我们定义了将文物图像从源头转化为目标文化领域的管道,其基础是最新的创世反向网络。然后,我们通过在线问卷收集数据,以测试属于不同文化领域的图像对意大利参与者的影响的四种假设。正如预期的那样,结果取决于个人的品味和偏好:然而,它们与我们的推测一致,即一些人在与智能系统互动时,宁愿展示经过修改的图像,以适应其文化背景。</s>