This article analyzes the reception of a novel algorithmic recommendation of documentary films by a panel of moviegoers of the T{\"e}nk platform. In order to propose an alternative to recommendations based on a thematic classification, the director or the production period, a set of metadata has been elaborated within the framework of this experimentation in order to characterize the great variety of ``documentary filmmaking dispositifs'' . The goal is to investigate the different ways in which the platform's film lovers appropriate a personalized recommendation of 4 documentaries with similar or similar filmmaking dispositifs. To conclude, the contributions and limits of this proof of concept are discussed in order to sketch out avenues of reflection for improving the instrumented mediation of documentary films.

翻译：本文分析了Tänk平台观影者群体对一种新型纪录片算法推荐的接收情况。为了替代基于主题分类、导演或制作年代的推荐方式，本实验构建了一套元数据体系，用以表征"纪录片制作装置"的丰富多样性。研究旨在探究该平台电影爱好者如何接受四部具有相似或相近制作装置的纪录片的个性化推荐。最后，本文讨论了这一概念验证的贡献与局限，旨在为改进纪录片工具化中介服务勾勒思考路径。