My research-creation process coincides with the encounter with the ''digital paradigm'' and the attempt to incorporate it into the foundation of my scenic writing. I propose in this paper to give an account from a director point of view of how I realized my shows between 2000 and 2007 and which researches influenced the process. I will formulate some remarks on the fragilities that can arise in a ''technological laboratory of staging''.

翻译：我的研究-创作过程与“数字范式”的相遇以及将其融入场景写作基础的尝试相契合。本文旨在从导演视角，阐述我于2000年至2007年间如何实现我的演出作品，以及哪些研究影响了这一过程。我将对“舞台技术实验室”中可能出现的脆弱性提出一些见解。