This article presents and discusses the results from visitors' interactions with two audio augmented reality experiences containing audio augmented objects; physical, real-world objects to which virtual audio sources have been attached. It then proceeds to discusses the commonly identified themes arising from the observation of visitors' behaviour within these experiences and the analysis of their verbal and written feedback. The curatorial potential of audio augmented objects is discussed and, by way of conclusion, their functionality as interfaces to digital audio archival content is proposed, along with their ability to reframe, re-contextualise and create renewed experiences with existing collections of silenced museum exhibits.

翻译：本文展示并讨论了参观者与两种包含音频增强对象的音频增强现实体验的交互结果；音频增强对象是指附加了虚拟音频源的物理现实世界对象。文章进而探讨了通过观察参观者在此类体验中的行为模式，并分析其口头与书面反馈所归纳出的共性主题。文中讨论了音频增强对象在策展领域的应用潜力，并最终提出其作为数字音频档案内容接口的功能定位，同时阐述了该技术如何重构语境、重置框架，并为现有已失声的博物馆藏品创造全新体验的可能性。