We present Open-Qwen-Music, an open reconstruction of Qwen-Music and a fully specified research system for text-to-music generation that couples LLM-based semantic composition with diffusion-based acoustic rendering. The system comprises a 25 Hz single-codebook music tokenizer, a 3B-parameter autoregressive Music LLM, and a diffusion renderer producing 48 kHz stereo audio, following the cross-module interfaces reported by Qwen-Music. The strongest systems of this design remain closed, and prominent open music-generation projects release weights and inference code without their training corpora or end-to-end training implementations. This limits independent and controlled study of how information loss and prediction errors propagate from semantic representation through autoregressive planning to acoustic rendering. To our knowledge, Open-Qwen-Music is the first fully open release of an LLM-composition-plus-diffusion-rendering text-to-music system. Beyond model weights and inference code, the release includes the training datasets and provenance manifests, complete data-processing, annotation, training, inference, and evaluation pipelines, configurations, and pretrained weights for every learned module. Artifact manifests bind the identities of these artifacts across the complete workflow. Together, these artifacts establish a reproducible implementation of the modular architecture and provide an empirical basis for component-level analysis and future evaluation. We present the system as a transparent, executable research baseline and a starting point for the community, not as evidence of quality parity with Qwen-Music. Open-Qwen-Music is an ongoing effort, and we will continue to improve its generation quality, controllability, and robustness. All release artifacts are available at https://github.com/biang15343100-source/Open-Qwen-Music.

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