Perceiving paintings entails more than merely engaging the audience's eyes and brains; their perceptions and experiences of a painting can be intricately connected with body movement. This paper proposes an interactive art approach entitled "Painterly Reality" that facilitates the perception and interaction with paintings in a three-dimensional manner. Its objective is to promote bodily engagement with the painting (i.e., embedded body embodiment and its movement and interaction) to enhance the audience's experience, while maintaining its essence. Unlike two-dimensional interactions, this approach constructs the Painterly Reality by capturing the audience's body embodiment in real-time and embedding into a three-dimensional painterly world derived from a given painting input. Through their body embodiment, the audience can navigate the painterly world and play with the magical realism (i.e., interactive painterly objects), fostering meaningful experiences via interactions. The Painterly Reality is subsequently projected through an Augmented Reality Mirror as a live painting and displayed in front of the audience. Hence, the audience can gain enhanced experiences through bodily engagement while simultaneously viewing and appreciating the live painting. The paper implements the proposed approach as an interactive artwork, entitled "Everyday Conjunctive," with Fong Tse Ka's painting and installs in a local museum, which successfully enhances audience experience through bodily engagement.

翻译：感知绘画不仅涉及观众的眼睛和大脑，他们对绘画的感知与体验还可能通过身体动作紧密相连。本文提出了一种名为“绘画现实”的交互艺术方法，以三维方式促进对绘画的感知与互动。其目标是在保留绘画本质的同时，促进观众与绘画的身体性互动（即嵌入式身体具身及其运动与交互），从而增强观众体验。与二维交互不同，该方法通过实时捕捉观众的身体具身状态，并将其嵌入由给定绘画输入衍生出的三维绘画世界中，以此构建出“绘画现实”。通过身体具身，观众可以在绘画世界中导航，并与魔幻现实主义元素（即交互式绘画对象）互动，从而通过交互产生有意义的体验。随后，“绘画现实”通过增强现实镜像投影为一幅动态绘画，展示在观众面前。因此，观众可以在观看与欣赏动态绘画的同时，通过身体性互动获得增强的体验。本文将该方法实现为一个名为“日常连接”的交互式艺术作品，基于冯子嘉的绘画，并在当地博物馆展出，成功通过身体性互动增强了观众体验。