This paper describes Strike on Stage, an interface and corresponding audio-visual performance work developed and performed in 2010 by percussionists and media artists Chi-Hsia Lai and Charles Martin. The concept of Strike on Stage is to integrate computer visuals and sound into an improvised percussion performance. A large projection surface is positioned directly behind the performers, while a computer vision system tracks their movements. The setup allows computer visualisation and sonification to be directly responsive and unified with the performers' gestures.

翻译：本文介绍2010年打击者和媒体艺术家黎世和查尔斯·马丁开发并完成的 " 阶段罢工 " 、一个界面和相应的视听表演工作。 " 阶段罢工 " 的概念是将计算机视觉和声音纳入简易打击性能。一个大型投影面直接位于表演者后面,而一个计算机视觉系统跟踪他们的动作。这一设置使计算机视觉化和声学能够与表演者的手势直接反应和统一。