As a communication channel, body movements have been widely explored in behavioral studies and kinesics. Performing and visual arts share the same interests but focus on documenting and representing human body movements, such as for dance notation and visual work creation. This paper investigates body movements in oriental calligraphy and how to apply calligraphy principles to stimulate and archive body movements. Through an artwork (Wushu), the authors experiment with an interactive and generative approach to engage the audience's bodily participation and archive the body movements as a compendium of generated calligraphy. The audience assumes the role of both writers and readers; creating ("writing") and appreciating ("reading") the generated calligraphy becomes a cyclical process within this infinite "Book," which can motivate further attention and discussions concerning Chinese characters and calligraphy.

翻译：作为一种沟通渠道，身体动作在行为学研究和身势学中已被广泛探索。表演艺术与视觉艺术对此同样关注，但侧重于记录和再现人类身体动作，例如舞蹈记谱与视觉作品创作。本文探讨了东方书法中的身体动作，以及如何运用书法原理来激发和储存身体动作。通过一件名为"武书"的艺术作品，作者实验了一种交互式与生成式方法，以促使观众的身体参与，并将这些身体动作以书法生成汇编的形式存档。观众同时扮演书写者与阅读者的角色——创作（"书写"）与欣赏（"阅读"）生成的书法，在这一无穷的"书卷"中形成循环过程，进而激发对汉字与书法的进一步关注与讨论。