The advent of the post-human era has blurred the boundary between the body and artifacts. Further, external materials and information are more deeply integrated into the body, making emerging technology a key driving force for shaping post-human existence and promoting bodily evolution. Based on this, this study analyses the transformation process of three technological forms, namely tools, machines, and cyborgs, and reveals the construction of bodies and artifacts. From the phenomenological perspective, the essences of body and artifact existences are reflected upon, and the existence is construction viewpoint is proposed. Furthermore, a technological design concept, bodioid, is proposed to meticulously depict the characteristics of integrating similarities and differences towards unity between the body and artifacts, based on the theoretical foundation of technology mediation and the materialization of morality. Finally, through analogizing the organizational form of language, the two key forms and specific mechanisms of bodioid construction, namely extension and mirroring, are indicated. With this in mind, the post-human existence landscape is discussed with the objective of providing theoretical insights into the study of the underlying philosophical principles of technological design.

翻译：后人类时代的来临模糊了身体与人工物之间的界限。进一步而言，外部物质与信息更深入地融入身体，使得新兴技术成为塑造后人类存在形态、推动身体进化的关键驱动力。基于此，本研究分析了工具、机器和赛博格三种技术形态的转变过程，揭示了身体与人工物的建构方式。从现象学视角出发，对身体与人工物存在的本质进行了反思，并提出“存在即建构”的观点。进而，以技术中介与道德物化理论为基础，提出了一种名为“Bodioid”的技术设计概念，以细致描绘身体与人工物在走向统一的过程中融合共性与差异的特性。最后，通过类比语言的组织形式，指出了建构Bodioid的两种关键形式及具体机制，即扩展与镜像。在此基础上，本文探讨了后人类存在的景观，旨在为技术设计底层哲学原理的研究提供理论启示。